Music
collective ownership of music
Date: 19 Jul 2003 12:03:17 GMTNewsgroups: rec.music.folk
Size: 1,197 bytes
> "Also, acquaint yourself with the nature of folk music. Consider how > folk music is transmitted and the way in which members of a society > feel a sense of owenrship of the material." > "Ownership" is what gets me....it's the writer's song, even for > something like "Amazing Grace". It may be of popular appeal, but > it is not _our_ song.. Look up the chapter about the Britannia Coconut Dancers in the book "Step Change" about the politics of English folkdance. Another: I heard a musicologist on R adio 3 a year or two ago talking about something he'd encountered in South America (Paraguay, I think); a culture that played aurally-transmitted versions of multi-voice art music from the Spanish Renaissance on local folk instruments. This was quite a find, so he asked if he could record it. They said "no you can't, this is our music, haven't you got enough of your own?" ========> Email to "j-c" at this site; email to "bogus" will bounce <======== Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760 <http://www.purr.demon.co.uk/purrhome.html> food intolerance data & recipes, Mac logic fonts, Scots traditional music files and CD-ROMs of Scottish music.
