Rap Lyric
short review: halloween 1981 palladium
Date: Tue, 1 Jul 2003 12:40:20 -0700Newsgroups: alt.fan.frank-zappa
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Copyright 1981 The New York Times Company The New York Times November 5, 1981, Thursday, Late City Final Edition SECTION: Section C; Page 22, Column 6; Cultural Desk LENGTH: 225 words HEADLINE: ROCK-JAZZ: FRANK ZAPPA BYLINE: By STEPHEN HOLDEN BODY: THE last of five Frank Zappa Halloween concerts at the Palladium on Sunday proved to be an unexpectedly magnificent mixture of rock-jazz surrealism and social satire. Mr. Zappa and his eight-piece band wove together some 20 Zappa songs into a sprawling, unstructured oratorio - two hours of uninterrupted music - that offered a musical rollercoaster ride through a dozen styles, including rap, reggae, heavy metal and television-incidental. Frank Zappa's nightmarish vision of America is as scatalogically Swiftian as one could imagine and is shot through with moral outrage. But composed as it is of rock and pop kitsch, it also confers an air of monumentality on the very things it ridicules. The evening was predominantly instrumental, with Mr. Zappa's songs serving as jumping-off points for long instrumental passages, many of them conducted by the composer. The music, which was heavy on malleted percussion, synthesizer and electric guitar, was arranged by Mr. Zappa with a very keen sense of instrumental color, and several of his lead guitar solos sustained a lyric tone that made a compelling contrast to the scabrously witty sections. The older Frank Zappa gets (he's now 40), the more impressively focused his epic vision of the American junk culture becomes.
