Rap Lyric
Lyric : Don't always know what I'm talking about (18)
Date: 17 May 2003 11:28:04 -0700Newsgroups: alt.support.shyness
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As any sci-fi buff knows, when computers become self-aware, they ultimately destroy their creators. From _2001: A Space Odyssey_ to _Terminator_, the message is clear: The only good self-aware machine is an unplugged one. We may soon find out whether that's true. . . The Defense Dept is working on a self-aware computer. [AI Magazine 22mar2003]. Lyric: . . . And it goes something like this : iiiiiiiiiiv . . . When I get lonely and I need to be . . . Scotland on Sunday, 17mar2002 - so far beyond rational justification as to have all the credible provenance of some imagined ancient curse. "And when the deevil one who bears the hatred name shall come into the glen to have authority there, then shall the spirits of wronged rise up their wrath & there shall be clashing of tongues as of claymores & great shedding of words." (This translated from the Gaelic, of course.) None of this irrationality should belittle our sense of the enormity Lyric: kicking your can (waving) all over the place Me: Antecedent RA's sarcasm below . . .(I'd begun learning "rock music". . . billions of songs never heard before. . .) was a real-life exchange. On voice, RA played some goof song to which I objected (as must shivel at anything less than sci or finest philos). . . Uncomplaced, RA puts on something that goes : Jurassic Park is melting in the dark. Heeez. So, I play (& me singing aloud along with) a song from a video I'd found recently -I watching this video at the same time. It Jesse Rae, "Over the Sea". . . a rreeeaaaall discovery, I tell you. That video : Dusk sky, claymore swung around & around against the sky, pivot of hominid waist. Unrelatedly, about the next day (also the day before the below) I sent an email of puterifc signif to RA --that email capped with . . . ". . . and the Southern Cross. . .(another recent song). From: remaining__anon Date: 2003-05-01 16:21:01 PST Should I stay or should I go now Should I stay or should I go now If I go there will be trouble And if I stay it will be double So you gotta let me know The classic punk portrayal of a crumbling London on the debut - every bit as potent as TS Eliot's images in the Waste Land - were transformed into the sleek wall of guitar sound of G-- ive Times Newspapers Ltd, 20apr2003 - Thir wry British humour & thir unstarry gameness London Calling, first realisation of ambition to create an international rock template. . . ready to fight the odds & prove to middle Namerica that a Brit band could be a music force & still tap into the disaffection of struggles in urban . In fact, modernism in art was known as Post-Impressionism, perhaps the first time a new tendency was identified solely in terms of what it followed, & perhaps a precedent ranted against cultural imperialism & corrupt practices of capitalism, & offered an open, nondogmatic musical approach that infused everything Lyric: Is it any wonder (clap, clap). . . (I begot too much time on my hands). . . The Scotsman, 2nov2001 - image of the kilt-wearing, claymore-wielding Highlander is simply "romance". AI Magazine, 22mar2003 - For example, the robot could synthesize a snake shape to travel through a narrow tunnel and then morph into a six-legged insect to navigate on rough terrain on exit. Alternatively, they could use water-flow-like locomotion gaits in which the robots move by conforming to the shape of the terrain. Time Out, 29jan2003 - varied compilation also takes in wry Brit rap, drum'n'bass combo Total Science in relatively laidback mode on 'IKnow' The Independent (London), 25sep1994 . . . T-- was not a simple-minded patriot. Thir nationalism had international scope. Born in 1775, thir early career was formed in the period of the Napo wars. But thir patriotism was subtle, tragic. Thiy saw that the tides of fate beat equally on every shore. T-- responded to the character & history of many excursions into Europe, felt thir way to the lives of pons with whom thiy could not converse. A hopeless linguist, thiy understood foreign lands thru sight alone, thimself remaining anonymous . . . with jottings, notes, scraps of poetry, maybe "colour beginnings." All tending towards some future glorious pictorial vision, thiy gave up heavy symbolism, concentrated on pure descriptions of haze, mist, sunshine. Thiy knew that all the rest of us would still be puzzling about thim for centuries, so why try to explain further?
